Here is a time lapse of the first stage of sculpting it.
Skull Head WIP from tom.newbury.cg on Vimeo.
Enjoy
This blog is a place where I will showcase my work, both personal and professional, to the public. I work at a feature film company called Luma Pictures where I work with a fantastic team of great artists to help greate visual effects for the latest and greatest films. If you have any questions dont hesitate to shoot me an email. I hope you enjoy my blog Tom Newbury CG
Thursday 30 August 2012
Skull Head
Been busy working so havn't really had time to work in ZBrush. Finally got a chance to play around in it. Took me 3hrs which was probably way too long but ah well, more practice.
Here is a time lapse of the first stage of sculpting it.
Skull Head WIP from tom.newbury.cg on Vimeo.
Enjoy
Here is a time lapse of the first stage of sculpting it.
Skull Head WIP from tom.newbury.cg on Vimeo.
Enjoy
Saturday 11 August 2012
3D Artist Magazine
Finally!
My Dragon Head Render has been printed in this months 3D Artist Magazine. This is the first piece of work which I have had published.
Lets hope there will be more to come.
Thursday 9 August 2012
Sci-Fi Channel Bumpers
Hey everyone.
Got some exciting news today. The first commercial I have worked on as a freelancer has been put on the internet for all to see. Here is a compelation of most of the shots I worked on.
SF Brand Spot from Sheepish Lion on Vimeo.
And here they are one by one.
SF Ident Transparent from Ink Project on Vimeo.
In this shot I was in charge of modelling all of the layers which you see under her skin. This included the muscles, veins, skull and brain. I matched the objects to the track which was provided for me. I also textured all of these elements and then rendered them off so they could go of for compositing.
SF BIRD 3 from Ink Project on Vimeo.
Here I was in charge of the modelling and rigging. I modelled the birds head and feathers, I also did some displacment passes for the texture artist to use. I also rigged the head and set it up to the track which was provided for me.
SF Polygon 2 from Ink Project on Vimeo.
This was one of the more complex shots. First I created a head, using the mans head as refernce. I then rigged this head, including blendshspes for the blink and mouth movements. I attached my rig to the track provided so his head moved and animated at the same time at the footage. I then created the mesh which his head was protruding through. Once this was complete I wrap deformed the plane to the animated head. In the rendering process the head geometry was hidden so all you could see was the smashed mesh on the surface. I really enjoyed this one because it was a challenge to achive what the director wanted.
My work on the smoke shot was very minimal, I basically just created some of the smoke which rolls up his face.
Here are some work in progress renders and screen captures:
SF Brand Spot from Sheepish Lion on Vimeo.
And here they are one by one.
SF Ident Transparent from Ink Project on Vimeo.
In this shot I was in charge of modelling all of the layers which you see under her skin. This included the muscles, veins, skull and brain. I matched the objects to the track which was provided for me. I also textured all of these elements and then rendered them off so they could go of for compositing.
SF BIRD 3 from Ink Project on Vimeo.
Here I was in charge of the modelling and rigging. I modelled the birds head and feathers, I also did some displacment passes for the texture artist to use. I also rigged the head and set it up to the track which was provided for me.
SF Polygon 2 from Ink Project on Vimeo.
This was one of the more complex shots. First I created a head, using the mans head as refernce. I then rigged this head, including blendshspes for the blink and mouth movements. I attached my rig to the track provided so his head moved and animated at the same time at the footage. I then created the mesh which his head was protruding through. Once this was complete I wrap deformed the plane to the animated head. In the rendering process the head geometry was hidden so all you could see was the smashed mesh on the surface. I really enjoyed this one because it was a challenge to achive what the director wanted.
My work on the smoke shot was very minimal, I basically just created some of the smoke which rolls up his face.
Here are some work in progress renders and screen captures:
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